A forum for discussing and organizing recreational softball and baseball games and leagues in the greater Halifax area.
My health potions are green and poisons are red
-
Why should your fantasy game be limited by something like "health". Whether you die should be based on vibes.
-
Toss a lighted match into the growing puddle. Match goes out.
-
Purple: Magic?? Green: Life/death?? Red: Life/fire?? Blue: Magic/cold?? Honestly the only colour I don't feel uncertain about is orange, that's always bad. Also on the topic of health potions, a great piece of advice I once heard was that if your players are in a foreign land, remove health potions. Give them health biscuits and watch them reconcile with God.
-
The old TSR/SSI game Unlimited Adventures had randomized potion colors. It's also how I learned that khaki is not pronounced 'kahiki' when trying to explain what was going on to someone (I knew khakis as a type of trouser not a color). https://en.wikipedia.org/wiki/Forgotten_Realms%3A_Unlimited_Adventures Edit: or maybe I'm thinking of another gold-box game if that one didn't have some random generation. Hrm.
-
I hate dragons. Controversial take but like just come up with some other mystical creatures! have some fun with it! if rather interact with a pink unicorn plushie than fight _another_ dragon
-
I love the possibility of having a red/green colorblind character and having to roll to hopefully pick the right potion when they both health potion and poison in their bag.
-
> "There are no 'rules' for fantasy" Wrong. To write *good* Fantasy (of SciFi), you have to go through a process called "World Building" where you lay down the rules of your world. Properly done, the amount of World Building exceeds the actual works by far. It is absolutely necessary to create a core of inner logic to the story. You are not bound by the rules of our world, yes, but you are bound by the rule of consistency. If you violate those, you automatically write crap Fantasy (or SciFi). Funny, though, that e.g. many literature teachers / professors don't even *know* about the idea of World Building.A clearer way to phrase it might be "there are no rules for the *genre* of fantasy". An individual world needs self-contained rules, yes, but just because Tolkien's Dwarves have beards regardless of gender doesn't mean that *your* Dwarves need to be the same.
-
Nah this one is easy. If it's green and _sparkly,_ it's a good thing. If it's green and _bubbly,_ it's a bad thing.
-
> "There are no 'rules' for fantasy" Wrong. To write *good* Fantasy (of SciFi), you have to go through a process called "World Building" where you lay down the rules of your world. Properly done, the amount of World Building exceeds the actual works by far. It is absolutely necessary to create a core of inner logic to the story. You are not bound by the rules of our world, yes, but you are bound by the rule of consistency. If you violate those, you automatically write crap Fantasy (or SciFi). Funny, though, that e.g. many literature teachers / professors don't even *know* about the idea of World Building.
-
If they don't taste like peppermint, I'm sending them back.
-
Rules for fantasy *writers*. For a post centered on reading, the actual comprehension of what is being said in this thread is poor.
-
> "There are no 'rules' for fantasy" Wrong. To write *good* Fantasy (of SciFi), you have to go through a process called "World Building" where you lay down the rules of your world. Properly done, the amount of World Building exceeds the actual works by far. It is absolutely necessary to create a core of inner logic to the story. You are not bound by the rules of our world, yes, but you are bound by the rule of consistency. If you violate those, you automatically write crap Fantasy (or SciFi). Funny, though, that e.g. many literature teachers / professors don't even *know* about the idea of World Building.Also the important rule here is everything not explained to be different is assumed to be the same as our understanding of the real world.
-
I feel like any decent adventure would develop a system. I hear blind people will fold their paper money a certain way so they can differentiate between the different values...
-
Also the important rule here is everything not explained to be different is assumed to be the same as our understanding of the real world.
-
> "There are no 'rules' for fantasy" Wrong. To write *good* Fantasy (of SciFi), you have to go through a process called "World Building" where you lay down the rules of your world. Properly done, the amount of World Building exceeds the actual works by far. It is absolutely necessary to create a core of inner logic to the story. You are not bound by the rules of our world, yes, but you are bound by the rule of consistency. If you violate those, you automatically write crap Fantasy (or SciFi). Funny, though, that e.g. many literature teachers / professors don't even *know* about the idea of World Building.> To write good Fantasy (of SciFi), you have to go through a process called “World Building” I think this is more implying that you don't have to work from the same framework for every fantasy world. Not everything has to be set in Medieval Times with Crusader-Era social sensibilities. The menagerie of mythical creatures isn't a prerequisite or delimiter (dragons / unicorns / etc are not a requirement nor are robots / cthulhoid horrors / woolly mammoths disallowed). You need internal consistency (to a degree) but you aren't forced to adhere / omit any genre trope. I would say, at an absolute bare minimum, you need some kind of fantastical or supernatural element to make it "Fantasy" as opposed to "Historical Fiction" or "Science Fiction" some other category of fictional prose. Although, the genre of "Magical Realism" does make even that distinction a bit fuzzy. > many literature teachers / professors don’t even know about the idea of World Building You don't necessary need to go through the whole work of World Building if you're just banging out a short story or novella. Even serial writers don't necessarily bother going deep on the background material until they feel the need to expand the scope of the setting. A story that takes place entirely in a single house over the course of a long weekend doesn't need the kind of scaffolding that a Long Walk to Mordor requires.
